10 min read
10 min read

Scarlett Johansson made Saturday Night Live history during its 50th season finale, becoming the first woman to host the show seven times. Her record-setting return included a sentimental musical monologue set to Billy Joel’s Piano Man, where she was joined by the full cast.
Though not laugh-out-loud funny, the moment struck a sweet tone and paid homage to her long-standing relationship with the show. The episode itself was a rollercoaster of comedy hits and misses, but Johansson’s milestone was a bright spot.
SNL gave her a well-deserved spotlight in a season finale loaded with surprises and celebrity cameos.

The cold open featured James Austin Johnson’s Donald Trump visiting Saudi Arabia and praising oil, money, and little else. In typical SNL fashion, the satire was brash and surreal, with Trump mingling in the audience and kicking out a seatmate.
The sketch offered some bold political digs and bizarre fourth-wall-breaking moments, including jokes about U.S. aviation and a parting line: ”See you again in the fall—if we still have a country. It’s a coin toss.” While chaotic, it showcased Johnson’s standout year and helped deliver the iconic ‘Live from New York…’ sign-off, a fitting close to his standout year.
He’s become central to SNL’s current identity.

Johansson’s opening monologue was less punchline-driven and more of a heartfelt performance. Backed by the entire SNL cast, she sang a loving tribute to the show using the melody of Piano Man. The bit nearly tricked viewers into thinking Billy Joel himself would appear, but it was a clever misdirect.
The segment highlighted Johansson’s affection for SNL and even included a surprise farewell announcement: Sarah Sherman won’t be returning next season. The sketch struck a bittersweet chord, blending showbiz glamour with real emotion.
While more warm than wild, it kicked off the historic episode meaningfully.

In a satirical take on a morning news show, Johansson plays a substitute anchor who forces puns into every tragic story. Though the setup had potential, the joke wore thin quickly. From “Hasta la Visa, baby” to “I’ll have what she’s having,” the tonal mismatch between cheerful delivery and grim news undermined the laughs.
The sketch leaned too heavily on a single gag and didn’t evolve. Despite Johansson’s energetic performance, this segment was one of the weaker ones of the night. It was a reminder that SNL’s hit-and-miss format remains unpredictable, especially during the crowded season finales.

In one of the night’s standout sketches, Johansson joins the Please Don’t Destroy trio on a chaotic plane trip. They start with a joyful rap about flying first class, until they realize they’re landing in Newark. Cue panic, technical malfunctions, and existential dread.
Johansson jokes about her one regret being The Avengers’ box office, just before musical guest Bad Bunny, playing an air traffic controller, saves the day. It’s one of the season’s most creative pieces—well-paced, self-aware, and hilariously bleak.
This sketch proved that SNL can still pull off sharp, high-concept comedy with the right cast and a little absurdity.

In a clever bar scene, Johansson and Bad Bunny double date with Ego Nwodim and Marcello Hernández. While the women argue openly, the men fake heated fights in Spanish, only for the subtitles to reveal they’re venting about their relationships and bonding.
Meanwhile, the women try to speak Spanish but produce gibberish like “Asparagus, nothing and your ankle.” The sketch plays smartly with language, subverting expectations and delivering genuine laughs. It’s a solid mid-show highlight, demonstrating how SNL still shines when it leans into cultural nuances and gives its diverse cast room to be funny and inventive.

Johansson’s flirtation with Bowen Yang’s infamous “Straight Bowen” character gets messy fast. Despite being married to Colin Jost, Johansson falls for Bowen, booting Jost from an elevator and hooking up in the edit bay. The twist? Straight Bowen ends up ditching her for Emily Ratajkowski.
The sketch plays on over-the-top romance tropes, but the series is showing signs of fatigue. Still, Johansson’s deadpan delivery and the bizarre premise deliver a few chuckles. It’s an offbeat concept that runs a little long, but her commitment to the bit is admirable.
Bowen’s persona remains one of SNL’s more memorable inventions.

Mike Myers reappears this season in an elevator sketch that pairs him with Kanye West, played by Kenan Thompson. The scene calls back to their real-life 2005 Hurricane Katrina broadcast, where West famously declared, “George Bush doesn’t care about Black people.”
Myers, then visibly stunned, becomes the butt of the joke here. West quips that he’s now “in the KKK,” delivering a savage parody that balances catharsis and comedy. The jab at Kanye is biting, while Myers finally gets to laugh at himself.
It’s a rare moment of raw SNL history revisited with sharp satire and unexpected edge.

Bad Bunny’s first musical number took place on a steel beam suspended above a cityscape, complete with dancers dressed as construction workers. The creative staging channeled both old-school showmanship and modern spectacle. It was visually striking and full of energy, blending industrial grit with musical swagger.
Bad Bunny’s ability to seamlessly blend performance art and pop presence makes him an ideal SNL guest. While the sketches themselves were hit or miss, his musical appearances brought consistency and vibrancy to the show. This performance helped keep the episode’s momentum going, especially in a finale balancing nostalgia with contemporary commentary.

Weekend Update returned to roast Newark Airport, courtesy of Ego Nwodim’s “Ms Eggy,” a Def Jam-style character who lit up the segment. Known for pushing boundaries, Ms Eggy dropped edgy one-liners about peanuts, allergies, and airport food. Despite previous FCC heat, the character came back swinging.
Nwodim’s delivery was fierce and funny, even if the bit wasn’t quite as sharp as earlier versions. Still, it was one of the better Weekend Update guest appearances this season. Her ability to command the stage proves why she remains a fan favorite, one who hopefully returns next season, jokes and all.

As tradition dictates, Colin Jost and Michael Che swapped jokes blind, resulting in one of the night’s most cringingly hilarious moments. Che made Jost apologize on-air to Johansson for an old crude joke, only to later have him read lines that included applying lipstick, offering to “french” Lorne Michaels, and worse.
Che clearly “won” the night, getting his co-anchor to say things no SNL writer would dream of submitting seriously. These joke swaps are a beloved tradition, and this one was no exception, pushing limits while making both anchors visibly squirm.
Their chemistry remains one of the show’s strongest assets.

In the night’s weakest sketch, Johansson and Kenan Thompson play intimacy coordinators who fumble through staging a lesbian love scene for a queer drama. The humor leaned on awkwardness and stereotypes, with jokes about gender identity. It wasn’t just unfunny, it felt outdated and underdeveloped.
A rare misfire for both Johansson and Thompson, the segment dragged down the show’s second half. Even great hosts have a sketch or two that doesn’t land, and this was one of them. The sketch ended with more confusion than laughs, highlighting the occasional downside of SNL’s risk-taking approach.

In a talk show spoof, Johansson joins a cast promoting a fictional TV drama. While the male lead gets softball questions, the women face wildly inappropriate ones, like choosing a religion to eliminate or recalling the last time they took Plan B.
The premise had potential, tackling media bias and sexist interviewing, but the sketch didn’t fully stick the landing. It spiraled into chaos without a solid conclusion. Still, a few pointed jokes landed well, particularly the jabs at Sarah Sherman’s character.
Ultimately, it was a flawed but bold sketch that tried to say something, if only it had said it better.

For his second performance, Bad Bunny teamed up with Puerto Rican singer RaiNao in a graffiti-covered women’s bathroom. The number was sultry and electric, with RaiNao giving Bunny a steamy lap dance that drew gasps and applause. Visually bold and musically tight, the performance showcased Bunny’s versatility and star power.
It also cemented his place as one of the few artists who can match SNL’s theatrical vibe without overshadowing the show. In a season finale that aimed big, this was a high point, a reminder that when it comes to spectacle, SNL’s musical guests still know how to deliver.

The final sketch featured a Victorian-era ladies’ luncheon with a grotesque menu: jellied eels, hamster sashimi, donkey milk, and something called “BLTs” (bunnies and little turtles). It was classic SNL absurdity, with lots of fake vomiting and off-camera laughter. Technical hiccups and some breaking character moments prevented it from reaching its full potential, but the energy was high.
It wasn’t a showstopper, but it offered a fun way to wrap things up, leaving the audience laughing, or at least grimacing, by the end. If nothing else, it proved SNL can still embrace the silly when it wants to.
And with Scarlett Johansson’s Black Widow possibly making a return in the MCU according to reports, fans might not have seen the last of her big-screen chaos either.

The finale ended with a heartfelt curtain call. Jost kissed Johansson and gave her flowers, while she honored producer Lorne Michaels in a touching tribute. The cast gathered for a final wave, some emotional. Despite a few uneven sketches, the 50th season ended on a celebratory note.
With cast changes looming, questions about Michaels’s future, and a British version of SNL on the horizon, the show stands at a crossroads. But for tonight, Scarlett Johansson’s record-breaking appearance reminded everyone why Saturday Night Live endures: nostalgia, reinvention, and just enough comedy to keep us coming back.
Curious what moments made the anniversary so iconic? Here’s a look at the biggest highlights from SNL’s 50th Anniversary Special. What was your favorite sketch or surprise appearance? Share your thoughts in the comments below!
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This slideshow was made with AI assistance and human editing.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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