6 min read
6 min read

Netflix’s “The Waterfront” dropped on June 19, 2025, and quickly captured attention. Its eight‑episode arc dives into a struggling North Carolina fishing dynasty that turns to crime.
Creator Kevin Williamson based the story on his childhood and family’s experiences in small-town coastal North Carolina. His father, also a fisherman, participated in drug smuggling in the 1980s due to financial hardship. The setting and characters reflect Williamson’s personal connection and upbringing.

Williamson grew up amid tide‑governed life in a small port town. He describes himself as “a small‑town weirdo” who escaped through storytelling.
The show revisits those memories, portraying fishing boats, seafood docks, and the anxiety of survival. That genuine setting grounds the crime narrative in lived experience, marking a dark turn from his earlier teen‑drama works.

Williamson’s father became involved in drug smuggling in the 1980s due to hardships in the fishing industry.
He was arrested and served time in prison for drug-related charges. This experience influenced Williamson’s writing, including storylines in “Dawson’s Creek” and ultimately “The Waterfront.”

In The Waterfront, the Buckleys suffer financial collapse and moral decay. It mirrors Williamson’s real‑life family crisis from the ’80s.
Holt McCallany as Harlan Buckley channels that patriarchal struggle. Williamson sketches characters who aren’t just criminals, they’re parents, spouses, trying to fight for their loved ones while staying afloat.

Williamson says he waited until after his father’s death in 2020 to tell the story.
He admired his dad, calling him “a very, very good man” who paid a price. This drama marks the darker side of his creative journey, leaving behind teen romances for generational guilt, consequences, and redemption.

The series stars Holt McCallany (Harlan), Maria Bello (Belle), Melissa Benoist (Bree), and Jake Weary (Cane).
Their layered performances anchor the story, bringing fierce quiet strength. McCallany captures Harlan’s stern drive, while Benoist delves into addiction, and Weary channels youthful regret. Together, they forge a family saga steeped in moral conflict.

Though Havenport is fictional, the series was filmed in the charming coastal town of Southport, NC. To boost realism, the production borrowed actual fishing boats from Oriental.
Creator Kevin Williamson aimed to capture the feel of his upbringing, weathered wood, salty air, and ocean breeze, infusing every frame with an authentic sense of place and emotional depth.

The series masterfully fuses family drama with crime, drawing comparisons to Ozark and Yellowstone. At its core lies a crumbling family empire, reluctantly pulled into drug smuggling as a means of survival.
Behind the peaceful southern setting are tangled secrets, betrayals, and ever-changing loyalties. Each episode unpacks layers of tension, exposing the moral decay beneath the polished facade.

Season 1’s finale delivers a brutal emotional punch. Grady kidnaps Bree and her son, triggering a desperate chase. Harlan and Cane storm in, leading to a chaotic rescue filled with gunfire and high-stakes tension.
Set against a backdrop of boats and bloodshed, the standoff is both violent and deeply personal. Every moment pulses with raw family loyalty and heartbreak.

In the finale’s closing moments, matriarch Belle makes a quiet but shocking move: she aligns with the rival Parker family. This subtle betrayal marks a seismic shift in the balance of power.
Belle’s calculated rise signals deeper fractures ahead. Her actions tease a volatile future where alliances crumble, trust erodes, and the battle for control becomes even more ruthless.

Williamson planted these seeds long ago; Bree Potter’s father in Dawson’s Creek was jailed for drug trafficking, mirroring Williamson’s family history. That personal thread quietly shaped his storytelling voice.
Now, The Waterfront brings it full circle. What began as teen angst has evolved into a gritty crime saga exploring legacy, inherited guilt, and the emotional weight of family history.

Netflix hasn’t officially renewed The Waterfront, but creator Kevin Williamson is already laying the groundwork for seasons 2 and 3. He’s hinted at deeper conflicts ahead as Belle rises to power and the Parkers prepare to challenge the Buckleys.
Williamson is thinking big. He envisions a sprawling criminal universe in Havenport, with a narrative arc stretching across at least three seasons.

The showrunner paid tribute to his father’s love for Yellowstone, saying The Waterfront belongs in the same “grocery aisle.” With similar music, pacing, and tone, the show channels that gritty, patriarch-driven storytelling.
Yet Williamson roots it firmly in his world, among fish houses, tight-knit towns, and everyday struggles. It’s a familiar saga told through a uniquely coastal lens.

Each episode opens with an eight-second underwater shot beneath restless waves. It’s more than just a visual; it symbolizes drowning, looming threats, and the fragile grip on survival.
Williamson explains this sequence sets the tone: every family member is struggling to stay afloat. It’s a haunting reminder that beneath calm waters, chaos is always just below the surface.
And speaking of unsettling layers beneath the surface, did you know Netflix quietly pulled Black Mirror: Bandersnatch? The reason might be more complex and chilling than you think.

At its core, The Waterfront is a family story, fractured yet fiercely loyal, lost yet always searching. Kevin Williamson wants viewers to see beyond the crime and chaos to the human need for connection.
The violence, secrets, and betrayals are storytelling devices, but what truly lingers is the messy love, inherited bonds, and the high price of keeping promises.
Chaos beneath the surface isn’t just for coastal dramas. What happens when Sherlock Holmes becomes a father, and his daughter joins the case?
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This slideshow was made with AI assistance and with human editing.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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