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‘The Legend of Zelda’ live-action movie casts its Link and Princess Zelda


Benjamin Evan Ainsworth at an event
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The Legend of Zelda open on phone.

Fresh faces chosen to lead Hyrule’s epic journey

The Legend of Zelda is finally getting the live-action treatment, and fans have been buzzing about who would step into the legendary roles. Now, with Link and Princess Zelda officially cast, the fantasy world of Hyrule is one step closer to coming alive on the big screen.

But it’s not just about who’s playing them, it’s about what this casting means for the entire franchise. From bold choices to behind-the-scenes surprises, here’s everything you need to know.

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Introduction to the live‑action Zelda film

The highly anticipated live‑action adaptation of The Legend of Zelda has taken a major step forward with the casting of its two leads. Fans worldwide have been eagerly waiting for confirmation on who will embody Link and Princess Zelda on the big screen.

This movie marks Nintendo’s first fully live‑action venture with this beloved fantasy franchise. It’s expected to bring a fresh, cinematic twist to the classic tale.

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Link’s role in the story

Link, the silent hero of Hyrule, will be the central figure in this adaptation. Traditionally, he embarks on a quest to save Princess Zelda and defeat the evil Ganondorf.

Capturing his bravery and silent determination is key for the film’s success. The casting reflects the character’s youthful spirit and heroic promise.

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Princess Zelda’s role explained

Princess Zelda is not just a figurehead; she often plays a smart, resourceful hero in her own right. The film plans to present her as a capable leader with depth and strength.

This marks a departure from older “damsel in distress” portrayals. The creative team promised a powerful and active Zelda.

Benjamin Evan Ainsworth at an event

Meet Benjamin Evan Ainsworth

Sixteen‑year‑old Benjamin Evan Ainsworth, from England, will play Link. He previously appeared in The Haunting of Bly Manor and voiced Pinocchio in Disney’s live‑action film.

Though young, he’s already built a solid acting resume, and does a great job at acting. His youthful energy fits the role of Hyrule’s hero.

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Benjamin’s experience highlights

Ainsworth’s roles in fantasy and horror have showcased his emotional depth and expressiveness. His voice acting as Pinocchio proves he can perfectly handle roles requiring nuance and restraint.

This versatility makes him a promising Link. Directors praised his ability to convey emotion with minimal dialogue.

Meet Bo Bragason as Zelda

Twenty‑one‑year‑old Bo Bragason from England has been cast as Princess Zelda. She starred in shows like Renegade Nell, The Jetty, and Three Girls.

Though relatively new to big franchises, she brings great promise to the upcoming movie. Her fresh presence fills Zelda with life and modern appeal.

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Bo’s career & talents

Bragason grew up in England and began acting young, with experience in regional theatre. She gained recognition in Renegade Nell (Disney+) and the horror‑comedy film The Radleys.

Directors say she has a compelling mix of strength and grace. She is ready to take on the weight of a princess destined for greatness.

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Why these two were chosen

Nintendo chose relatively unknown but talented actors to match Link and Zelda’s youthful energy. Drawing from young talent enables potential franchise continuity.

The fresh faces fit the upcoming direction of the film. Casting insiders say this mirrors Nintendo’s recent strategy after Super Mario Bros.

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Release date announcement

The film is set for May 7, 2027, after a slight delay from its original March date. This gives the production team extra time for special effects and fine‑tuning performances, creating something of high-quality.

Fans have been responding positively to the new schedule. The wait is building excitement.

Directors chair under spotlight.

Wes Ball as director

Wes Ball, known for The Maze Runner trilogy and Kingdom of the Planet of the Apes, will direct. He’s praised for crafting intense, immersive action scenes.

Ball’s vision is to blend fantasy and realism in a grounded, yet magical, way. He wants Zelda to feel epic, like a Miyazaki fantasy but in live action.

A director's chair with a film clapperboard and scattered popcorn sits in front of a brick wall.

Producers & collaboration

Produced by Nintendo’s Shigeru Miyamoto and Avi Arad (known for Marvel films), the movie is co‑financed by Sony. This strong team brings gaming fidelity and cinematic scale.

Their partnership aims to satisfy both fans and new viewers. Production values are expected to be top tier.

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Nintendo’s film strategy

Following the animated Super Mario Bros. success in 2023, Nintendo seeks to expand its IP into movies and theme parks. Zelda is the next logical step.

This live‑action success could usher in new adaptations like Donkey Kong, and many others. The strategy reflects a long‑term multimedia vision.

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Early fans’ first look

Nintendo released promotional images of Ainsworth and Bragason in costume via X. The designs drew praise for feeling authentic and respectful to the games.

The images sparked discussions about aesthetics and historical inspirations along with many other topics. Fans appreciated the blend of medieval realism and classic elements.

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Challenges with Link’s silence

Adapting a silent hero like Link is difficult; his game persona speaks only through sounds. Screenwriters and Ainsworth will need to develop expressions and body language that convey his heart.

It’s a critical storytelling challenge. Execution will define Link as a live‑action hero.

In other news, here’s Mark Gatiss’ murder mystery you shouldn’t skip. Check it out.

Camera on stand behind the screen.

A heroine with depth

The live‑action film aims to avoid old stereotypes by portraying Zelda as a leader, scholar, and strategic thinker. Bragason’s casting underlines this choice.

Fans praised the move toward a well‑rounded princess, not just a rescue target. The film may inspire new role models.

Fans are also talking about ‘disclaimer’ shows, some books are meant for TV.

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