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Several Taylor Swift songs have disappeared from TikTok videos posted by Team Trump and other Trump-related accounts. A Team Trump video posted August 3 featuring “August” and a November 2025 post using “Father Figure” later lost their audio, while additional Trump-related posts featuring Swift’s music have also gone silent.
Swift has not publicly commented on the removals, and her representatives have not publicly confirmed that she personally requested each takedown. The episode has renewed attention to copyright and licensing rules governing the use of popular music in political social-media content.
Several TikTok videos from the Team Trump account used Swift’s music, including an August 3 post showing Donald and Melania Trump watching fireworks while “August” played in the background.
The video later lost its soundtrack. In the U.S., TikTok displayed a notice stating that the copyright owner had not made the sound available in the viewer’s country. A November 2025 Team Trump video using “Father Figure” also lost its audio.
Swift has not publicly commented on the removals, and available reporting does not establish that she personally initiated each claim.
Team Trump has used several Swift songs in political social-media posts. The August 3 fireworks video used “August,” while a November 2025 post featuring Trump and his son Barron used “Father Figure.” Both later lost their audio.
The White House and Trump campaign have also used Swift songs, including “The Fate of Ophelia,” “High Infidelity,” and the 2026 song “I Knew It, I Knew You.” Other Trump-related posts featuring her music have also become silent.
Available reporting does not establish that every removal occurred simultaneously or resulted from a single coordinated action ordered by Swift. The pattern is more accurately described as multiple rights-holder or copyright-related removals involving her music.
Swift fans quickly noticed that music had disappeared from several Trump-related TikTok posts. Some commenters celebrated the change, including users who joked that they could no longer hear the songs or praised the apparent copyright action.
The removals also attracted widespread entertainment and political-media coverage over the weekend. Swift herself, however, remained publicly silent about the situation.
Because she has not explained the strategy behind the removals, claims that she deliberately chose silence to avoid giving Trump additional publicity remain an interpretation rather than a confirmed fact. The story soon caught the attention of major entertainment outlets covering pop culture news.

Music used in social-media videos is governed by licensing agreements and copyright law. The ability to remove a song does not always belong to an artist personally; record labels, music publishers, and other rights holders may control different rights in a recording or composition.
TikTok says commercial users who rely on music outside its pre-cleared Commercial Music Library must confirm they have obtained the necessary rights. Political entities also face separate restrictions on advertising through TikTok.
Recent disputes show how those rules can matter. Noah Kahan publicly objected in July after the White House used his song “American Cars,” and the music was subsequently disabled from at least one version of the post.
The tension between Trump and Swift is not a brand-new development. Swift publicly criticized Trump during his first presidency and endorsed Kamala Harris following the September 2024 presidential debate.
Her endorsement also addressed AI-generated imagery that had falsely portrayed her as supporting Trump. Trump had shared the fake pro-Trump Swift image on Truth Social weeks earlier. After Swift endorsed Harris, Trump posted, “I HATE TAYLOR SWIFT!”
Before that endorsement, Trump had shared false images suggesting Swift actually supported his campaign. Those images were later confirmed to be artificially generated rather than real. The exchange added yet another layer to their long-running public feud.
Fun fact: In May 2025, Swift bought back the master recordings of her first 6 albums for about $360 million.
Team Trump posted a TikTok on August 6 parodying Swift’s 2012 album Red. The video joked that Swift had written an entire album about the color associated with the Republican Party and presented Trump-themed versions of several Swift song titles.
Available reporting does not establish that Team Trump created the post specifically in response to the earlier copyright removals. The parody subsequently attracted attention across social media.
As of August 10, current reporting indicated the Red-themed video was silent.

Using commercial music in an audiovisual post can involve multiple rights. ASCAP notes that pairing a musical composition with visual content generally requires synchronization rights from the relevant copyright owner.
TikTok licenses music separately for use on its platform, but its rules state that commercial users selecting music outside the Commercial Music Library must have the necessary permissions. Political campaign organizations also cannot buy political advertising on TikTok, although they can maintain organic content subject to the platform’s rules.
Copyright owners can challenge unauthorized uses, but the person with enforcement authority may be an artist, publisher, record label, or another rights holder, depending on the song and the rights involved. Still, this process gives artists far more say than in the past.
The disappearance of Swift’s songs shows how copyright and platform licensing can affect political social-media content. TikTok’s notice on at least one Team Trump post identified the copyright owner’s availability settings as the reason the sound could no longer be played.
Swift has not publicly explained who filed the claims or whether she personally directed every removal. The episode is therefore more accurately described as copyright or rights-holder enforcement involving her music rather than a confirmed coordinated strategy by Swift’s team.
As social media and modern politics continue to overlap, similar disputes are likely to recur as rights holders decide how to respond to political uses of their work.
Little-known fact: Swift released evermore on December 11, 2020, less than 5 months after folklore arrived on July 24. She described it more and more as folklore’s sister album.
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This article was made with AI assistance and human editing.
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