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    Spider-Man: Brand New Day delivers historic $360 million domestic debut


    Tom Holland at an event
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    Spider-Man: Brand New Day” made box-office history during its opening weekend. The film earned $360 million in the U.S. and Canada, surpassing the $357.1 million domestic opening record set by “Avengers: Endgame” in 2019.

    The Sony Pictures release, produced in partnership with Marvel Studios, now holds the record for the biggest domestic opening weekend.

    It also debuted to approximately $932 million worldwide through Sunday, ranking second globally behind “Endgame“.

    Because several overseas markets opened before Friday, the worldwide figure should be described as an opening-period or opening-weekend total rather than a strict 3-day total. The film has since surpassed $1 billion worldwide in just 6 days.

    Spider-Man smashes the all-time domestic record

    Sony estimated on Sunday that “Spider-Man: Brand New Day” would earn $355 million during its domestic opening weekend. Final figures released Monday raised the total to $360 million. The $5 million revision resulted primarily from a stronger-than-expected Sunday.

    The final result placed “Brand New Day” approximately $2.9 million above “Avengers: Endgames” $357.1 million record. “Endgame” had held the domestic opening crown since April 2019. The comparison is based on unadjusted ticket revenue rather than inflation or estimated admissions.

    Pre-release forecasts varied, but Boxoffice Pro’s late projection placed the film between approximately $280 million and $300 million. The final $360 million result substantially exceeded that range. Calling it one of the “tightest” finishes in box-office history would require a defined comparison with other record races.

    Brand New Day narrowly passes Endgame

    “Avengers: Endgame” opened to $357.1 million domestically in 2019. Before “Brand New Day,” “Spider-Man: No Way Home” held second place with $260.1 million, and only a few films had come close to “Endgame’s” record.

    “Brand New Day” opened with $360 million, becoming the second film to pass $300 million in a domestic opening weekend, a record based on ticket revenue rather than figures adjusted for inflation.

    The result shows that a solo Spider-Man film can surpass an Avengers film’s opening-weekend revenue, though it does not prove that solo superhero movies generally outperform ensemble films. The comparison only covers opening weekends, not total earnings or attendance over a film’s full run.

    Global audience pushes the movie past $1 billion

    “Brand New Day” earned about $572 million internationally during its opening rollout. Combined with $360 million domestically, this brought the total to roughly $932 million worldwide. The figure is not a uniform 3-day global total, since some overseas markets opened before the U.S. weekend began.

    Only “Avengers: Endgame” had a larger worldwide opening, meaning “Brand New Day” now ranks as the second-biggest global box-office debut.

    The film crossed $1 billion worldwide within 6 days, though strong early reviews do not guarantee long-term performance; future results will depend on how it holds up in the weeks ahead.

    Actor dresssed as Spider Man jumping high against an old wall.
    Source: Photolin/Depositphotos

    Opening-day numbers rewrite the record books

    The record-breaking pace began with approximately $72 million from Thursday preview screenings, the biggest preview haul in box-office history. Under standard domestic box-office reporting, the preview revenue is included in the movie’s Friday total rather than counted as a separate day.

    The film’s final reported opening-day total, revised after all grosses were tallied, came in at $169.8 million, including the $72 million in previews, surpassing “Avengers: Endgame’s” previous opening-day record of $157.4 million.

    Saturday added approximately $101.5 million, ranking just behind “Endgame’s” $109.2 million Saturday record, before an exceptionally strong Sunday helped lift the complete weekend from Sony’s initial $355 million estimate to a final $360 million.

    Tom Holland, Zendaya, and Cretton reach new career highs

    The $360 million domestic debut is the largest opening weekend of Tom Holland’s career, surpassing the $260.1 million opening of “Spider-Man: No Way Home.”

    The comparison concerns domestic opening-weekend revenue rather than total career grosses. It is also the largest domestic opening for a film featuring Zendaya, since no previous movie in her filmography has opened domestically at this level.

    Director Destin Daniel Cretton also achieved his largest opening with “Brand New Day.” His previous major Marvel release was “Shang-Chi and the Legend of the Ten Rings,” and the new film surpassed that opening by a substantial margin.

    Mark Ruffalo returns as Bruce Banner/Hulk in the film, while Jon Bernthal reprises his role as Frank Castle/Punisher.

    Sony celebrates the biggest opening in its history

    Sony Pictures Motion Picture Group chairman and CEO Tom Rothman praised “Brand New Day” after its record opening, with reports highlighting his comments about Tom Holland and the film’s connection with audiences. Some descriptions of the marketing campaign were not independently confirmed.

    Sony’s previous domestic opening record was held by “Spider-Man: No Way Home” with $260.1 million, and “Brand New Day” surpassed it by about $99.9 million, becoming the biggest opening weekend for any distributor in the U.S. and Canada.

    Sony executives credited the cast, filmmakers, and fans for the success, though descriptions of Rothman’s tone as humble or confident remain subjective.

    Tom Holland at an event
    Source: Jean_Nelson/Depositphotos

    IMAX expands the film after its record opening

    “Brand New Day” set the domestic record without playing on North American IMAX screens during its opening weekend. It did play in IMAX in international markets, including China, Japan, and South Korea; however, it generated approximately $23 million, so the record should be understood as limited specifically to North America.

    IMAX announced that the film will expand into select digital IMAX locations across North America beginning August 6, sharing those screens with “The Odyssey,” while Nolan’s film continues playing at all 41 IMAX 70mm locations worldwide.

    The arrangement follows the conclusion of “The Odyssey’s” initial exclusive North American IMAX period, and IMAX said it expects the expansion to encourage new and repeat viewing, though that remains a business expectation rather than a guaranteed box-office outcome.

    What the record means for the movie industry

    The North American box office generated about $429 million during the weekend, with “Brand New Day” and “The Odyssey” contributing most of the total. The weekend became the largest combined domestic box-office weekend on record, showing strong audience interest in movie theaters.

    “Brand New Day” earned high early critical and audience scores, along with an A CinemaScore, though first-weekend data alone does not confirm long-term repeat viewing. Marvel’s next major release is “Avengers: Doomsday,” arriving on December 18, 2026. While “Brand New Day” provides momentum for Marvel and Sony, one film’s success does not guarantee another franchise hit.

    Little-known fact: Sony indicated that its earlier live-action villain continuity would be replaced by a fresh reboot, making direct sequels to “Madame Web“, “Kraven the Hunter,” and “Morbius” unlikely.

    TL;DR

    • “Spider-Man: Brand New Day” earned $360 million domestically, beating the “Avengers: Endgame” record of $357.1 million.
    • The film grossed $932 million worldwide, ranking second only to “Endgame” in global openings.
    • Friday set an all-time single-day domestic record with $169.8 million in total ticket sales, including previews.
    • Tom Holland, Zendaya, and director Destin Daniel Cretton all hit new personal career opening highs with the release.
    • IMAX added North American screens for the film beginning August 6, after the movie broke the domestic opening record without playing any North American IMAX screens.
    • The film had already earned about $23 million in IMAX box office across China, Japan, and South Korea before the North American expansion.

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    This article was made with AI assistance and human editing.

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