7 min read
7 min read

Most people think Whitney Houston’s version is the original, but it’s actually a remake of Dolly Parton’s 1973 country hit. Dolly wrote it as a farewell to her mentor, Porter Wagoner, and it became a classic in its own right.
Whitney’s 1992 powerhouse rendition for The Bodyguard soundtrack turned it into a global pop anthem. It’s a perfect example of how a song can cross genres and generations.

Johnny Cash’s haunting 2002 cover of “Hurt” surprised many fans who didn’t know it was originally by Nine Inch Nails. Trent Reznor wrote the song in 1994, but Cash’s raw, emotional version gave it new life.
The music video added a powerful layer, reflecting on Cash’s own mortality and legacy. It’s a rare case where a remake arguably outshines the original.

Natalie Imbruglia’s signature 1997 single “Torn” is a cover of a song originally recorded by the Los Angeles band Ednaswap, which released their version in 1997 as well.
The original received limited attention, while Imbruglia’s glossy pop‑rock arrangement turned it into a global hit and often obscured its provenance.
Her rendition became a defining track of the late ’90s, even though most listeners didn’t know it was a cover. It’s proof that a fresh take can make a song a worldwide smash.

Aretha Franklin’s iconic 1967 “Respect” is a remake of Otis Redding’s 1965 original. Otis’s version was more of a plea, but Aretha flipped the script into a powerful anthem of empowerment.
Her version became a feminist and civil rights rallying cry, proving how a song’s meaning can totally transform with a new voice.

Cyndi Lauper’s 1983 party anthem was originally written and recorded by Robert Hazard in 1979. His version was more serious and male-focused, but Cyndi turned it into a feminist celebration.
Her colorful music video and energetic delivery made it a timeless pop classic that still gets everyone dancing. Lauper’s version became a massive hit, reaching #2 on the Billboard Hot 100 chart and earning her a Grammy nomination for Best Female Pop Vocal Performance.

Before Sinéad O’Connor made “Nothing Compares 2 U” famous in 1990, it was written by Prince and first recorded by his side project, The Family, in 1985. The original was obscure, but Sinéad’s emotional performance brought it worldwide attention.
Her iconic music video, with close-ups of her face, made the song unforgettable and deeply personal. It is arguably more well-known than the original.

Amy Winehouse’s 2007 hit “Valerie” was originally performed by The Zutons in 2006. The original was indie rock, but Amy and Mark Ronson’s soulful remake gave it a jazzy, retro feel.
Zutons singer reveals he warned Amy Winehouse her version of ‘Valerie‘ would flop saying “lightning doesn’t strike twice”. The song went on to reach number two in the UK singles chart and remains one of Winehouse’s most popular tracks.

The Clash’s punk version of “I Fought the Law” (1979) is a remake of a 1959 song by The Crickets, written by Sonny Curtis. The original was rockabilly, but The Clash’s cover added punk energy and attitude.
It became a rebellious anthem and introduced the song to a whole new generation. The Clash’s version is still a staple of punk rock playlists today.

Before The Beatles rocked “Twist and Shout” in 1963, it was recorded by The Top Notes in 1961 and then famously by The Isley Brothers. The Beatles’ version is the most famous, thanks to John Lennon’s raw, gritty vocals.
Their energetic performance helped make the song a timeless dance classic. It’s often considered one of the best covers ever recorded.

Elvis Presley’s 1956 “Hound Dog” was a remake of Big Mama Thornton’s 1952 blues original. Thornton’s version was gritty and raw, while Elvis’s brought a rock ’n’ roll swagger that made it a huge hit.
This song helped catapult Elvis to superstardom and changed music forever. It remains one of his signature tracks.

Nirvana’s 1993 MTV Unplugged cover of David Bowie’s 1970 song introduced the track to a new generation. Bowie’s original was glam rock, but Nirvana’s stripped-down version gave it a haunting, emotional edge.
Kurt Cobain’s unique voice made the song feel fresh and deeply personal. It’s one of the most memorable moments from their iconic unplugged set.

Marilyn Manson’s dark 1995 cover of Eurythmics’ 1983 synth-pop hit “Sweet Dreams” shocked many fans. The original was catchy and upbeat, but Manson’s remake turned it into a creepy, industrial anthem.
It’s a bold example of how a song can be completely reimagined. The cover helped define Manson’s edgy image.

Whitney Houston’s 1990 hit “I’m Your Baby Tonight” was co-written by L.A. Reid and Babyface, but it was originally offered to another artist before Whitney made it famous. Her version blended pop and R&B perfectly.
It showed Whitney’s versatility and helped define early ’90s music. The song remains a highlight of her career.

Red Hot Chili Peppers’ 1989 funky cover of Stevie Wonder’s 1973 “Higher Ground” added rock guitars and a wild energy. Stevie’s original was soulful and funky, but RHCP’s version brought a raw, alternative vibe.
Their remake became a staple of ’80s rock radio and live shows. It’s still a fan favorite at their concerts today.

The Fugees’ 1996 hip-hop remake of Roberta Flack’s 1973 classic “Killing Me Softly” brought the song to a new audience. Lauryn Hill’s soulful vocals and the group’s fresh beats made it a ’90s anthem.
Their version won Grammy Awards and remains a beloved cover. It’s often cited as one of the best remakes ever.
These moving songs honor the brave; listen to the heartfelt tributes that still echo today.

Alien Ant Farm’s 2001 rock cover of Michael Jackson’s 1987 hit “Smooth Criminal” gave the song a heavier, alternative edge. Michael’s original was pop-funk, but the remake brought it to rock radio and MTV.
It’s a rare cover that got as much attention as the original. The video was a staple on early 2000s music channels.
Love a good live performance? Take a look at the most covered rock songs of all time and see which classics keep coming back.
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This slideshow was made with AI assistance and human editing.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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