8 min read
8 min read

Sabrina Carpenter recently surprised fans by revealing her thoughts on banning phones at her future concerts. In a June 18 Rolling Stone interview, she admitted the idea might not be popular, but it’s something she’s considering seriously.
The singer wants audiences to experience her shows fully without distractions. Instead of fans watching through a screen, she imagines them fully present in the moment. She said concerts could feel more “real” without cameras everywhere. This move places her among artists now questioning how digital habits shape live music culture today.

Sabrina’s thinking shifted after she attended a Silk Sonic concert in Las Vegas, where phones were locked away. She described the experience as one of her favorite nights ever and said it reminded her of a different time.
Everyone danced, laughed, and sang without stopping to film. The vibe felt like a throwback to the seventies. With no phones, it created a deeper connection with the music and people. That show planted the idea in her mind, what if her concerts could feel like that too?

In the same interview, Sabrina joked about growing older and said, “Take those phones away. You cannot zoom in on my face.” But her humor revealed something real underneath. She’s not only concerned about privacy or image, but about how fans engage with her art.
Growing up in the iPhone era, filming everything felt normal. Now, she’s rethinking that. Could putting phones away improve the experience for everyone? Sabrina’s suggestion isn’t just quirky; it opens a conversation on how live music should feel.

Sabrina’s comments didn’t sit well with some fans. Many took to social media on June 18 to voice concern about her idea. Some fans said they rely on phones for emergencies, and banning them could be harmful.
Others argued they paid for their tickets and should be allowed to record what they want. These reactions show how deeply phones are tied to modern concerts. Her comments sparked debate on what fans should expect and what artists have the right to control in return

The idea of turning concerts into more controlled, immersive spaces isn’t new. Beyoncé, for example, transformed her Renaissance Tour into a highly stylized visual experience. Every element felt like it belonged in an art gallery.
From chrome costumes to coordinated lighting, her stage wasn’t just for music; it was for moments. Sabrina’s phone ban may be a step toward similar creative control. Instead of randomness, artists can sculpt how people experience their world, just like filmmakers or visual artists.

Before Sabrina’s comment, Kanye West did something similar during his Donda album rollouts. His shows were more like installations than typical performances, with life-sized house sets and slow-motion walks.
No phones buzzing or lights flashing in the crowd. Just focused, curated moments. Sabrina’s idea echoes that same mindset. If fans can’t film everything, they may start watching more. Artists like her could shift concert culture toward performance as total storytelling, not just social content.

Jack White has long enforced strict no-phone rules at his concerts. He believes people watch more when they’re not distracted by filming. His shows feel rare and special. Something only the people there really experienced.
That scarcity builds value. Videos don’t flood online, and fans remember it in their heads, not on screen. Sabrina seems to be reaching toward the same idea. She wants moments that live in memory. Her concerts could become something to be lived, not reposted
For many fans, banning phones means losing something personal. One fan online said the idea felt like artists didn’t trust their audiences anymore. Another asked, “How can I explain this to my mom if she can’t reach me?”
The backlash reflects how phones have become more than just cameras. They’re safety nets, connection tools, and comfort for those with anxiety. Sabrina’s move, while creative, might unintentionally close the door on people who rely on those tools during high-energy events.
In today’s music world, a lot of viral hype comes from fans sharing concert clips in real time. That’s how moments go global overnight through TikTok, livestreams, and Instagram stories.
By banning phones, artists risk losing that instant buzz. Sabrina’s concerts may trend less, but feel more sacred. She’s making a trade: less reach for more meaning. That choice could redefine what it means to be successful in a time when attention spans are shrinking fast.

Phone bans aren’t only about the crowd; they’re about protecting the artist. Adele and Kendrick Lamar have both enforced no-phone policies to avoid messy clips going viral. They aim to control their public image onstage.
A single misstep or strange expression can turn into a meme in seconds. Sabrina may want to sidestep this trap. She’s learned that in today’s remix culture, one short clip can erase context and damage years of work. Controlled access is a shield, not a barrier.

No phones means the artist gets to decide what fans remember. Sabrina might use this to her advantage, shaping her performance down to the smallest detail. It’s a form of creative storytelling, where nothing leaks before it’s ready.
Just like Beyoncé released no visuals before her Renaissance album, Sabrina might start building controlled mystery. In doing so, she takes the pressure off pleasing algorithms and focuses on creating a show that moves people without constant exposure

Some say no-phone shows feel elite or exclusionary. Not everyone can unplug easily. People with disabilities or special health needs may depend on their phones for safety, alerts, or translation.
Blur’s Damon Albarn once warned, “If you start banning things, where does it end?” He raised the issue of limits in art spaces. Sabrina’s goal may be purity in performance, but it raises fair concerns about access and who gets to enjoy the show fully.

Some stars are leaning into analog vibes. Michael Cera famously uses a flip phone. Dolly Parton prefers faxes. Kate Beckinsale’s been seen using retro tech. These are more than quirks; they build public identity.
Elton John has slammed smartphones for killing mystery. For him and others, less tech means more elegance. Sabrina’s phone ban may fit into this retro wave. It helps her stand apart from influencers and return to a time when concerts weren’t recorded from every angle.

By creating experiences without screens, Sabrina positions herself like Harry Styles or Lana Del Rey, artists known for tapping into older aesthetics. Their visuals and sound often feel timeless.
These choices aren’t just about looks or sounds. Their branding decisions say something bigger. For Sabrina, it signals a shift. She’s not chasing clicks. She’s chasing memory. With phones gone, the audience can focus fully on the show, and that may be the real flex.

Sabrina isn’t only performing anymore, she’s saying something about culture. With every visual, lyric, and rule, she pushes fans to think. Are we showing up for the music, or are we just filming for likes?
She’s not attacking her fans. She’s asking them to be part of something deeper. Her concerts are becoming a kind of mirror, reflecting how we all consume entertainment today. The phone ban isn’t a punishment. It’s a challenge to pay attention.
Thinking about taking a break from your phone, too? Check out Woody Harrelson ditches his phone, prefers being less available.

In her interview, Sabrina Carpenter said, “I don’t want to be pessimistic, but I truly feel like I’ve never lived in a time where women have been picked apart more.” She noted how fast people judge celebrity looks.
She added, “You see a picture of someone in a dress, and you have to say everything mean about it in the first 30 seconds.” Her comment reflects how fast-paced criticism affects artists. While not directly tied to phone bans, it highlights her awareness of the digital gaze and public reactions surrounding fame.
Want to know what went down? Read more in unhinged fan hurls phone at Morgan Wallen mid-concert!
Think concerts should be phone-free or filmed from every angle? Tell us how you feel in the comments!
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This slideshow was made with AI assistance and human editing.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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