6 min read
Margot Robbie has opened up about the “haphazard” experience of jumping back into a major movie role just three months after welcoming her first child.
The beloved actress, who shares a son with husband Tom Ackerley, has been extremely private about her journey into motherhood since giving birth in October 2024. Now, she’s sharing the unique challenges of stepping onto the set of the new Wuthering Heights adaptation so soon after.
Robbie revealed that the physical and mental demands of the period piece were magnified by her postpartum reality, forcing her to abandon her usual rigorous preparation. Director Emerald Fennell, however, offered a piece of advice that ultimately relieved the pressure and shifted her focus.
Let’s break down the candid details of her experience.
Robbie described her mental state as “very different” when she began filming her role as Catherine Earnshaw in the upcoming 2026 adaptation.
She welcomed her son in October 2024, which meant production for the Emily Brontë classic began around January 2025. The transition was quick, and she confessed that her usual routine for getting into a character was impossible to maintain.
“I was three months postpartum when we started shooting. So I was in a very different headspace,” she told British Vogue. She admitted that her preparation process was “more haphazard” than she’s accustomed to for such an emotionally complex role. The Barbie star and producer has often spoken about her methodical approach to acting, which makes this quick pivot back to work even more remarkable.

Despite her reputation for being meticulously prepared, Robbie developed real anxiety about her performance due to the lack of her typical prep time.
She approached writer-director Emerald Fennell with her fears, asking, “What if I’m not prepared enough?” The two women, who previously collaborated on Promising Young Woman and Saltburn (which Robbie produced), clearly have a close working relationship that allowed for this candid moment.
Fennell’s reply provided the exact relief Robbie needed. She told the actress that she didn’t want her to prepare. The director insisted that Robbie simply needed to “be in the moment” rather than being overly ready for it. This freed Robbie from her usual high-pressure standards, allowing her to lean into a more raw, visceral performance.
Robbie explained that Fennell’s direction fundamentally shifted her focus from her mind to her body.
She noted that the director’s response was a “lovely way of relieving my anxiety” about the demanding role. Instead of relying on intellectual preparation, she was encouraged to embrace the present.
The experience turned into being “about being in my body as opposed to my head.” This could ultimately lend a unique, authentic vulnerability to her portrayal of the passionate and volatile Catherine Earnshaw. The emotional and physical reality of being three months postpartum may have inadvertently offered a deeper, rawer channel into the character’s intense, primal feelings.
Robbie and Fennell are bringing a distinctly modern and sensual sensibility to the 1847 Gothic romance.
The film, which co-stars Euphoria‘s Jacob Elordi as Heathcliff, aims to capture the deep-seated passion and obsession of the novel from a perspective not often seen. Both Robbie and Fennell, as women in their 30s, shared that they wanted to explore what reads as “hot or exciting or sexy” to their demographic.
Robbie noted that this means focusing on nuanced moments of intense connection, not just overt sex scenes. She recalled one specific scene with Elordi that completely captured this new vision of romance. In the memorable moment, Elordi’s Heathcliff picks up her Catherine “with only one arm” and uses the other to shield her face from the rain.
Robbie admitted that the small, powerful gesture “almost made me weak at the knees.” This detail perfectly encapsulates the film’s intended emotional and sensual depth, promising a take on the classic that prioritizes intense feeling over melodrama. The actress also defended Elordi’s casting as Heathcliff, despite some fan backlash, stating emphatically, “I saw him play Heathcliff. And he is Heathcliff. I’d say, just wait.“
While less common, some celebrities have made headlines for returning to physically or emotionally demanding roles just weeks or months after childbirth.
The speed at which an actress returns is always a personal choice, balancing professional commitment with the intense physical recovery and emotional adjustment that define the postpartum period. Robbie’s candidness highlights the often-unseen reality that this quick return requires significant mental fortitude, especially for a starring role in a massive production.
The demands of a period piece like Wuthering Heights, with its heavy costumes, intricate staging, and complex emotional arc, make Robbie’s return after three months even more challenging. The actress and her husband have remained very private about their son, only offering a few glimpses into their life as “homebodies” enjoying their time together in Los Angeles.
Robbie previously called motherhood “the best,” acknowledging the joy it has brought to her life, even with the quick return to the spotlight.

The new Wuthering Heights film, which also stars Hong Chau, Alison Oliver, and Shazad Latif, is set for release on February 13, 2026.
The combination of an intensely personal headspace and a director focused on the immediate moment is set to deliver a Wuthering Heights unlike any other. Robbie’s ability to use her real-life experience to fuel her performance is a testament to her dedication and professionalism.
The actress is clearly navigating motherhood and her demanding career with an impressive balance of vulnerability and strength, making her one of Hollywood’s most engaging stars.
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This article was made with AI assistance and human editing.
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