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The Kelce brothers continue to provide unfiltered and engaging content on their podcast, “New Heights.”
Whether they’re talking about music or football, the Kelce brothers never fail to entertain and provoke thought among their listeners.
In a recent episode of “New Heights” on June 19, the discussion turned to the state of country music, and Jason Kelce did not mince words in expressing his discontent.
Jason Kelce’s blunt critique of modern country music highlights his passion for the genre’s roots, while Travis Kelce’s diplomatic approach and connection to Taylor Swift add an intriguing dynamic to their discussions.
Jason Kelce voiced his frustration with the direction country music has taken in recent years, criticizing the genre for its repetitive and uninspired themes.
He passionately remarked, “If I have to hear one more country song that’s like ‘I got my boots in my truck going through the fields.’ Like, what the f— are we talking about? That’s not country music. Put on some f——- Willie Nelson. I am tired of what country music has become. It’s horse—-.”
His criticism echoes the sentiments of many who feel that modern country music has lost its soul.
Jason misses the storytelling and authenticity that used to define country music, now seeing it replaced by formulaic lyrics and shallow themes.
By bringing up Willie Nelson, Jason is pointing to a time when country music was full of real emotion and deep narratives.
His strong language shows just how passionately he feels about the current state of the genre.
In contrast to his brother’s blunt analysis, Travis Kelce, who is currently dating pop superstar Taylor Swift, adopted a more diplomatic tone.
He refrained from directly criticizing the genre and instead offered a constructive suggestion, recommending that Jason listen to Shaboozey, an artist he believed Jason might enjoy.
Jason admitted he wasn’t familiar with Shaboozey‘s music but was open to giving it a listen before forming an opinion.
Travis’s approach suggests a more open-minded perspective on contemporary country music. By proposing Shaboozey, he highlights the potential for finding fresh and innovative voices within the genre.
This recommendation indicates that while Travis may acknowledge the issues raised by Jason, he also sees value in exploring new artists who might bring unique contributions to country music.
Travis’s relationship with Taylor Swift, a versatile artist who transitioned from country to pop, might have influenced his broader and more inclusive view of the genre.
Despite his harsh criticism, Jason Kelce acknowledged that not all contemporary country music lacks merit.
He expressed his admiration for legendary artist Willie Nelson and praised Chris Stapleton as a “super performer.”
Both Jason and Travis agreed that there are still some worthwhile acts in the country music scene today, highlighting that quality music does exist, albeit overshadowed by what they perceive as the genre’s overall decline.
Jason’s praise for Willie Nelson and Chris Stapleton shows his appreciation for artists who maintain the traditional qualities of country music.
By acknowledging these artists, Jason and Travis show that they recognize and respect the talent that continues to thrive in the genre, even if it’s not always in the mainstream spotlight.
While the conversation about country music was spirited, the brothers did not touch upon Travis Kelce’s views on Taylor Swift’s early country career.
However, given Travis’s relationship with Taylor, it’s reasonable to speculate that he would hold her early work in high regard.
Their relationship, a favorite topic among fans and the media, adds an interesting layer to the discussion of country music on their podcast.
Taylor Swift’s early career, marked by her success in country music, adds a personal dimension to Travis’s perspective.
Swift’s ability to blend traditional country elements with modern pop sensibilities helped redefine the genre and brought a younger audience to country music.
Travis’s connection to Swift might influence his more nuanced and diplomatic stance on the genre, as he is likely aware of the challenges and opportunities within country music.
Their relationship, frequently covered by fans and the media, also brings additional attention to the Kelce brothers’ discussions, potentially broadening the audience for their podcast.
Year | Song Title | Artist |
---|---|---|
1980 | He Stopped Loving Her Today | George Jones |
1981 | 9 to 5 | Dolly Parton |
1982 | Always on My Mind | Willie Nelson |
1983 | Islands in the Stream | Kenny Rogers & Dolly Parton |
1984 | To All the Girls I’ve Loved Before | Willie Nelson & Julio Iglesias |
1985 | Lost in the Fifties Tonight (In the Still of the Night) | Ronnie Milsap |
1986 | Morning Desire | Kenny Rogers |
1987 | Forever and Ever, Amen | Randy Travis |
1988 | Eighteen Wheels and a Dozen Roses | Kathy Mattea |
1989 | The Church on Cumberland Road | Shenandoah |
Jason Kelce criticized modern country music for its repetitive themes and lack of originality. He expressed frustration with the genre’s current state, lamenting the loss of storytelling and authenticity.
He used strong language to emphasize his dissatisfaction, specifically calling out songs with cliched lyrics about boots, trucks, and fields.
Travis Kelce took a more diplomatic approach. Instead of directly criticizing the genre, he suggested that Jason listen to Shaboozey, an artist he thought Jason might appreciate.
Travis refrained from joining in on Jason’s harsh critique and instead promoted the idea of exploring new and diverse voices within country music.
Yes, despite his overall criticism, Jason Kelce acknowledged and praised certain artists who maintain the traditional qualities of country music.
He expressed admiration for legendary artist Willie Nelson and called Chris Stapleton a “super performer,” indicating his appreciation for their authentic and soulful approach to the genre.
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