6 min read
Jacob Elordi’s red-carpet moment at the Venice Film Festival quickly turned tense. The Euphoria and Saltburn star had been posing for fan selfies outside the world premiere of Guillermo del Toro’s Frankenstein when a festival official appeared to rush him along.
Instead of quietly moving, Elordi pushed back, telling the staffer, “Don’t ever tell me what to do.” The brief exchange went viral, sparking both criticism and praise online.
The red carpet drama, however, was only one part of a night that proved unforgettable. Here’s the full story.
Elordi was taking his time with fans when staff tried to intervene.
Witnesses said he was smiling, hugging, and snapping selfies with as many attendees as possible. That’s when a festival official leaned in, signaling that he should move inside. Elordi looked directly at them and firmly responded, “Don’t ever tell me what to do.”
The tense moment was caught on video. Clips spread quickly on TikTok, Instagram, and X (formerly Twitter). In them, you can hear him making the remark before turning back to the fans and continuing to pose. The official eventually stepped aside, letting him finish greeting the crowd.

Online reactions were sharply divided.
Some praised him for prioritizing fans over red-carpet formality. They argued that celebrities often breeze past people who wait for hours, and Elordi’s insistence on staying showed gratitude. Others, though, criticized the tone of his remark, saying it came off as entitled toward someone just doing their job.
Several attendees described him as kind and patient, noting that he took photos with nearly everyone who asked. A fan on TikTok wrote that “he was so nice” and that the viral clip didn’t reflect the warmth he showed in person. Critics countered that his choice of words, stating, “Don’t ever tell me what to do,” sounded unnecessarily harsh.
Festival premieres are tightly scheduled.
Organizers try to move stars along so screenings start on time, but celebrities often feel pulled in two directions, between official duties and fan interactions. That conflict played out in real time on the Venice carpet.
Elordi leaned toward his audience over logistics. The actor, who’s built a reputation for both fashion moments and reserved interviews, showed a rare flash of temper. Whether it was justified or not, the brief standoff highlighted the pressure-cooker environment of major film festivals.
Once inside, the evening took a very different turn.
Guillermo del Toro’s Frankenstein premiered to thunderous applause, with reports of a 14-minute standing ovation, the longest at Venice this year. Elordi, who plays the Creature opposite Oscar Isaac and Mia Goth, was visibly emotional as the crowd rose to its feet.
Elordi embraced his co-stars and del Toro. Cameras captured him wiping tears and bowing to the audience. Entertainment outlets noted that he looked overwhelmed by the reception. The red-carpet flare-up faded into the background as the premiere became one of the festival’s most celebrated moments.
At the press conference, he spoke candidly about playing the Creature.
Elordi said he poured his emotions into the part, describing it as “a vessel I could put every part of myself into”. He added that it felt like the “purest form of myself,” a striking comment that emphasized the depth of his performance.
The film explores timeless themes. Del Toro’s adaptation of Mary Shelley’s classic reportedly highlights loneliness, humanity, and identity. Elordi’s interpretation of the Creature is said to be haunting yet tender, giving him a showcase role that could redefine his career trajectory.
Frankenstein isn’t just a festival piece; it’s heading stateside soon.
The film will open in select theaters on October 17 before arriving on Netflix on November 7. That timing positions it for awards consideration, making Venice only the beginning of its run.
Buzz suggests award potential. With Oscar Isaac, Mia Goth, and Elordi all earning strong notes from critics, industry insiders are already predicting nominations. For Elordi, especially, who’s often associated with Euphoria or his breakout in The Kissing Booth, this marks a major pivot to prestige cinema.
The red-carpet exchange showed a different side of him.
Known for his tall, brooding presence and understated demeanor in interviews, Elordi displayed assertiveness that caught people off guard. Some saw arrogance, others saw authenticity, but either way, it added new layers to his public image.
It also underscored his rising profile. With Saltburn last year and Frankenstein now, Elordi is becoming a fixture on red carpets worldwide. Incidents like Venice reflect the scrutiny that comes with that level of fame. Every move, even a brief remark, becomes amplified.
Stars often balance fan service with industry pressure.
The Venice exchange highlighted just how fine that line can be. Fans cheered his willingness to stop for them; organizers pushed for punctuality. For Elordi, choosing the fans made him relatable to many, even if the words themselves were sharp.
Moments like this reveal the tension behind Hollywood glamour. The glossy images of premieres rarely capture the tug-of-war between celebrity personalities and the machinery of film promotion. Elordi’s clash offered an unfiltered glimpse of that reality.

In the end, the night belonged to the film.
While the “Don’t ever tell me what to do” clip drew headlines, the 14-minute ovation for Frankenstein overshadowed the drama. Elordi’s emotional response inside the theater reminded audiences why he was there in the first place: for the performance, not the red-carpet politics.
For audiences, both moments matter. The viral exchange showed him standing firm for his fans, while the premiere revealed the emotional depth of his work. Together, they signal a new chapter for Jacob Elordi as both a movie star and a serious actor.
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This article was made with AI assistance and human editing.
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