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Disney’s ‘Indiana Jones’ franchise future hits a roadblock as new plans stall


tv screen playing indiana jones and the dial of destiny
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Dave Filoni at premiere of Star Wars

Dave Filoni leads Lucasfilm’s next era

One day it’s lightsabers, the next it’s boardroom news. On Thursday, Disney confirmed that Lucasfilm is changing leadership after months of rumors, and it’s the kind of move that can reset a whole franchise for fans and for Disney’s release calendar.

After more than 13 years running Lucasfilm, Kathleen Kennedy is stepping down as president and returning to full-time producing. Dave Filoni will take over as president and chief creative officer, while Lynwen Brennan becomes co-president overseeing operations.

Kathleen KIennedy arrives at event

How Kathleen Kennedy shaped Lucasfilm

Before she became a lightning rod for fan debates, Kathleen Kennedy was already Hollywood royalty. Through her long partnership with Steven Spielberg, she helped produce classics like E.T., Jurassic Park, and Back to the Future, and was known for keeping productions on track.

George Lucas chose her to lead Lucasfilm when Disney bought the company in 2012, and she served as its president for more than 13 years.

During that time, Lucasfilm launched the sequel trilogy, delivered Rogue One, and turned Disney+ shows like The Mandalorian and Andor into events, even as some projects stumbled or got shelved along the way.

The sign of Disney

Kennedy leaves the top job, not Lucasfilm

Kathleen Kennedy isn’t vanishing from Lucasfilm, even if the top job is changing hands. Disney confirmed on Thursday that she’ll step away from running the studio and return to her longtime role as a full-time producer.

Producing is where she’s spent most of her career, from Indiana Jones to major modern blockbusters.

Now she can focus on shaping specific projects instead of running the entire company day-to-day.
Disney’s praise for her leadership makes it feel like a planned handoff, not a sudden exit.

Kylo Ren in a scene

Dave Filoni takes the creative wheel

If you’ve watched Star Wars on TV in the last decade, you’ve felt Dave Filoni’s fingerprints. He started in animation with The Clone Wars and helped build fan favorites like The Mandalorian and Ahsoka.

Now Filoni is Lucasfilm’s president and chief creative officer, so he has the title and the storytelling voice, and fans see him as a bridge between old-school Star Wars and what comes next.

As a George Lucas protégé, he talks about character and mythology, with movies and Disney+ shows sharing one map that connects big-screen plans to streaming stories.

A film slate close-up image of a film production crew holding

Meet Lynwen Brennan, the operations anchor

Big franchises aren’t run on creativity alone, and that’s where Lynwen Brennan comes in. She’s a longtime Lucasfilm leader with deep experience in business, operations, and the nuts-and-bolts work that keeps productions moving, especially when deadlines get tight.

Brennan is now co-president, partnering with Filoni while focusing on the company side of the house. After years at Industrial Light & Magic and later as Lucasfilm’s general manager.

He knows budgets and schedules, so Filoni can steer the story while she helps the studio deliver it on time across films and TV for years ahead.

Close up of calendar page on office desk.

The Star Wars movie calendar returns

For moviegoers, the biggest question is simple: what’s coming next? Lucasfilm has big-screen plans again after a gap since The Rise of Skywalker hit theaters in 2019, as the studio leaned into Disney+ shows.

The next film on the calendar is The Mandalorian and Grogu, set for May 2026, and Star Wars: Starfighter is scheduled for May 2027 with Shawn Levy directing and Ryan Gosling attached.

Daisy Ridley has also said she’ll return for a future Star Wars project, and the new leadership team will decide which plans move fastest and how the stories connect across screens.

Star War The Last Jedi

Kennedy’s surprising update on Indiana Jones

Star Wars isn’t the only Lucasfilm name people are asking about right now. In her exit interview, Kennedy also talked about Indiana Jones and why the fifth film, Dial of Destiny, was made.

She said she has no regrets because Harrison Ford wanted one more shot after the fourth movie, and the team wanted to honor that. At the same time, she admitted there’s no push to explore another Indiana Jones movie right now.

Even though she believes the character is timeless and could return someday, with Ford now in his 80s, a sequel feels unlikely soon.

tv screen playing indiana jones and the dial of destiny

Dial of Destiny’s numbers tell a tough story

Dial of Destiny didn’t just carry a famous hat and whip; it took a huge price tag. Reports have put its production spending at around $300 million or more, making it one of the priciest adventure films in recent memory.

The movie finished at about $384 million worldwide, according to box office trackers, which sounds big until you remember that theaters keep a share and marketing adds a lot.

That gap is why many analysts called it a box-office disappointment for Disney, and it helps explain Kennedy’s comment that there isn’t an appetite to explore Indy again right now.

Fans are waiting for autographs.

Why reviews were mixed but not hopeless

The reaction to Dial of Destiny wasn’t a clean win or a total disaster online, in theaters, and among longtime fans. Many critics called it a solid farewell, and it holds a Fresh rating in the high 60s on Rotten Tomatoes, while Metacritic’s score sits in the high 50s.

Audience polls were a bit kinder, with CinemaScore reporting a B+ grade on opening weekend, suggesting plenty of people had fun. Still, a common complaint was that the movie leans on familiar beats for much of its runtime, which can feel comforting to some viewers and stale to others.

An old abandoned soviet theater or cinema hall.

Indiana Jones may live on outside theaters

Even if the movies pause, Indiana Jones doesn’t have to vanish. The character has already lived on outside theaters, from the 1990s TV series The Young Indiana Jones Chronicles to books, comics, and park tie-ins.

More recently, he jumped into gaming with Indiana Jones and the Great Circle, a new adventure released in 2024 for players who want the puzzles and globetrotting vibe.

It lets Lucasfilm keep the brand active without asking Harrison Ford to do another long shoot, and Kennedy has said there is no interest right now in exploring another movie after Dial of Destiny underperformed.

Fireworks during New Year's.

Two leaders might mean fewer false starts

Running Lucasfilm is like steering a cruise ship during a fireworks show. You need creative vision and strict planning, or the whole schedule can wobble fast, especially when movies, streaming shows, toys, and theme-park plans all overlap.

With Filoni leading creative and Brennan leading operations, Lucasfilm is betting that clear roles will mean fewer midstream changes, cleaner greenlights, and a steadier release rhythm.

After past starts and stops, including a theatrical slowdown following Solo in 2018, fans will watch 2026 and 2027 closely for more finished projects and fewer big announcements that quietly disappear before cameras roll at all.

TV news cast studio with camera and light

What to watch as Lucasfilm enters a new era

Change can feel weird when it hits a favorite franchise. But it can also be the moment a studio gets sharper about what it wants to be, without losing the fun that drew us.

Kennedy moving back into producing keeps her experience in the mix, while Filoni and Brennan take over day-to-day decisions at Lucasfilm.

If you want the first real sign of this new era, watch how The Mandalorian and Grogu land in May 2026 and how Star Wars: Starfighter shapes up for 2027, because those projects will show whether Lucasfilm can balance nostalgia with new ideas.

Curious how Indy’s legendary fedora just sold for £500K and what makes it so special to collectors? Dive into the full story.

Disney+ logo on a phone.

Disney’s bigger franchise gamble

Disney isn’t just changing titles on office doors; it’s trying to steady some of its most valuable brands at the same time. Lucasfilm’s shuffle comes as the company weighs how much to lean on Star Wars, Indiana Jones, Marvel, and other legacy names while also pushing new stories.

For fans, this moment is a test of trust as much as a business move. If Disney, Filoni, Brennan, and Kennedy can line up strong movies and shows again, it could restore confidence that these worlds are in good, creative hands for global moviegoers over the next decade.

Curious why fans are upset about Disney skipping Sabrina Carpenter for Rapunzel? Check out the full casting drama and tell us whose side you’re on.

This slideshow was made with AI assistance and human editing.

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