7 min read
7 min read

Netflix’s puberty comedy Big Mouth concludes with Season 8 premiering May 23. The animated series, created by Nick Kroll and Andrew Goldberg, follows teens navigating adolescence with surreal humor.
This season marks the show’s transition to high school, tackling mature themes. With a star-studded cast and emotional farewell, the finale promises to be bold and heartfelt.

Season 8 welcomes A-list newcomers: Cynthia Erivo voices a unique character representing Missy’s personal side, Holly Hunter plays Compassion, and Steve Buscemi joins in a mysterious role. These additions continue the show’s tradition of eccentric celebrity cameos.
Past guests have included Thandiwe Newton and Natasha Lyonne, blending humor with surrealism. Erivo’s role, in particular, highlights the show’s unabashed approach to puberty.
Hunter’s character, Compassion, may offer a counterpoint to the Hormone Monsters. Buscemi’s casting hints at more chaotic hilarity.

The core cast reunites: Nick Kroll (Nick/Maury), John Mulaney (Andrew), Maya Rudolph (Connie), and Ayo Edebiri (Missy) return. Jordan Peele, Jason Mantzoukas, and Fred Armisen reprise their iconic roles.
Guest stars like Ali Wong, Billy Porter, and Nathan Fillion add flair. Jessi Klein’s Jessi and Andrew Rannells’ Matthew remain pivotal. The ensemble’s chemistry drives the show’s emotional and comedic beats.
Their final performances promise a satisfying send-off.

Season 8 shifts to Bridgeton High, introducing new challenges: driving, peer pressure, and sexual exploration. The teens face media addiction, cancel culture, and identity crises.
The show’s trademark raunchiness meets deeper emotional arcs as characters mature. Andrew and Nick’s friendship is tested, while Missy grapples with self-acceptance.
The writers balance absurdity with poignant coming-of-age moments.

Maury (Kroll) and Connie (Rudolph) return as the chaotic guides to puberty. Rick (also Kroll) remains the lovably clueless mentor.
Mona (Thandiwe Newton) adds wisdom, while the new entity Compassion (Hunter) may soften their edge. The Monsters’ final lessons will likely blend humor and heart, reflecting the teens’ growth.
Their antics remain central to the show’s irreverent charm.

Cynthia Erivo’s quirky role as Missy’s vagina continues the show’s bold body-humor tradition. The character symbolizes Missy’s evolving confidence and sexuality.
The past season featured John Mulaney voicing a humorous male character, but Erivo’s soulful voice adds depth. The gag underscores Big Mouth’s fearless approach to taboo topics.

Nick Kroll and Andrew Goldberg based the show on their childhoods, with Jennifer Flackett and Mark Levin joining as showrunners. Animation studio Titmouse (Star Trek: Lower Decks) brings the visuals to life.
Chris Prynoski praised Flackett/Levin for adding “character heart.” The team’s collaboration elevated the series beyond crude humor into a relatable puberty saga.

Excluding kids’ shows, Big Mouth is Netflix’s most enduring adult animated original. Its 8-season run surpasses BoJack Horseman (6 seasons) and F Is for Family (5).
The show’s success paved the way for the spin-off Human Resources, proving Netflix’s commitment to bold adult animation. Its cancellation aligns with Netflix’s trend of ending series before creative decline, following the strategy used with other acclaimed originals.

Human Resources expanded the Big Mouth universe but was cancelled after two seasons, despite its creative exploration of workplace comedy through hormone monsters. The franchise’s legacy lies in destigmatizing puberty through humor, creating a cultural conversation about adolescent experiences.
Its influence is seen in shows like PEN15 and Sex Education, which similarly blend cringeworthy comedy with heartfelt coming-of-age stories. While no more spin-offs are planned, its impact on adult animation endures through its bold storytelling approach.

Big Mouth faced backlash for its explicit content and racial humor (e.g., Missy’s biracial identity arc). Critics argue it oversimplifies teen issues, while fans praise its unfiltered honesty.
The show’s boundary-pushing approach, its portrayal of personified body parts sparked debates about appropriateness. Some viewers felt its portrayal of race and sexuality lacked nuance, while others applauded its boldness.
Season 8 may address critiques by deepening character arcs, particularly Missy’s journey.

Titmouse’s art style evolved subtly, with sharper expressions, bolder colors, and smoother motion. The Hormone Monsters’ designs grew more intricate, reflecting their chaotic roles.
Backgrounds became richer, enhancing emotional moments. Season 8, coinciding with Titmouse’s 25th anniversary, showcases their versatility, blending grotesque humor with tender animation.
The studio’s work elevates the show’s absurdity while grounding its heartfelt beats. From character redesigns to dynamic dream sequences, Big Mouth’s visuals matured alongside its cast, making it a standout in adult animation.

From I Love My Body to Totally Gay, Big Mouth’s musical numbers are cult favorites. Maya Rudolph’s powerhouse vocals shine in show-stopping numbers like in a show-stopping number that captures life’s messiness.
Season 8 may feature final anthems about growing up, blending humor and vulnerability. Composers Mark Rivers and Craig Wedren craft tunes that distill teen angst into catchy earworms.

Will Nick and Andrew’s friendship survive high school’s pressures? Could Connie and Maury retire, passing the torch to new Hormone Monsters?
Fans speculate about time jumps, reunions, or even a Human Resources crossover cameo. Some predict a meta-ending mirroring Kroll and Goldberg’s real-life bond.
Others hope for closure on Jay’s chaotic arc or Jessi’s family dynamics. The finale might balance absurdity with nostalgia, leaving room for spin-offs.

Early seasons scored 85 %+ on Rotten Tomatoes, praised for originality and fearless humor. Critics lauded its voice acting and relatable puberty metaphors.
Later seasons faced “fatigue” critiques but maintained acclaim for emotional depth, like Jessi’s depression arc. Big Mouth’s blend of raunch and heart polarized reviewers, some called it revolutionary, others repetitive.
Season 8’s reception will hinge on whether it sticks the landing or succumbs to finale pressure. Regardless, its influence on adult animation is undeniable, pushing boundaries in ways few shows dare.

Teens credit Big Mouth for normalizing awkward puberty conversations, from masturbation to mental health, much like how subtle movie cameos can sneak important messages into entertainment.
Check out these best movie cameos you might have missed. Sex educators use clips to discuss consent, LGBTQ+ identities, and body positivity.
Its frankness fills gaps in traditional sex ed, offering humor as a teaching tool. Parents and teens bond over its relatable chaos, though some debate its explicitness.

Expect tears, laughter, and Hormone Monster mayhem as they face high school’s unknowns, though these hormonal antics might be tamer than some of the wild backstage stories from the biggest country music tours announced in February 2025.
Loved this bittersweet farewell to Big Mouth? Give it a thumbs up if you’ll miss the Hormone Monsters, and share your favourite puberty cringe-moment in the comments!
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Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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